When Knuckle Puck quietly released
the "Calendar Days" seven
inch in March of this year, knew I was going to be very happy in the not-so-distant future waiting for their sophomore LP. That day came on October 13th of
2017 when the band released "Shapeshifter" through Rise Records. Knuckle Puck is a new age pop punk
band from Chicago, Illinois and their previous record and main effort so far -"Copacetic"- didn't catch as much
of my attention as possible; it mostly gave this band a place in the back of my
head to keep a lookout for in the future. I loved the "Calendar Days" single. The song
played on heavy rotation until very recently, when I had the opportunity to
listen to the entire new LP of theirs -"Shapeshifter"- and now I refuse to listen to anything else.
The record is relatively short, like
most contemporary pop punk releases; nine full songs and an opening
introductory track span out over almost 31 minutes. I read that the band had
been well into the recordings of the songs but felt unhappy and in denial with
the final outcome. They decided to switch producers, collaborating with "Copacetic"'s Seth Henderson and
started again from scratch. I would expect there to be much ambiguity and a loss
of purposefulness to "Shapeshifter".
It takes a lot of courage, self awareness, mental strength and positivity to
actually re-write and re-produce an entire record, admitting to throwing out
your previous but fresh material and, while I don't have a clue whatsoever
about what the initial outcome was like (but am very curious), I dare to say
that to my ears the boys came through on top of things. "Shapeshifter" is everything I want from a pop punk record.
Heavy at times and very melodic and riff-y at others. Very catchy for the most
part, but atmospheric as well, it is produced perfectly. Clean and distorted,
with variety in songwriting, with a great lyrical and singing approach. Joe
Taylor can use his voice in a way I envy; whenever it "breaks", I
lose my mind. There's a hint of New Found Glory in a couple of songs and a lot
of modern touches blazing through "Shapeshifter".
Everyone delivers on this record, but the rhythm guitars melding with the drums
ideally is what clicks best for me.
The weird thing about "Shapeshifter" is that the actual
opening and closing songs ("Twist" and "Plastic Brains") are the calm before and
after the storm, which usually "should" be the opposite case to some
extent. Good but not the stand out songs. If I had to choose one favorite from
the rest I would go with what I bet will be an unpopular choice; "Wait" is something you don't expect
from a pop punk record of this genre, the heavy chorus being my frosting on the
cake for "Shapeshifter". I
cannot wait for the physical version of this record to come falling into my
hands.
9/10
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