
Similarly to their previous albums, their lyrics contain strong anti-religion themes, matched with some very rapid and aggressive riffs and their relentless raw sound. The album starts off with "Slaves Beyond Death". From the first second of the song, it's very clear that these Aussies have mastered their sound and ain't fucking around. And the Behemoth tremolo? Really good. Moving on to "Son of Misery", also one of the lead singles, where the band establishes their trademark sound and style combined with anti-religious lyrics. "Puppet Master", on the other hand, slightly leans towards a more death metal direction. On to the album's title and fourth song, "Dear Absolution", another perfect example of their good work; with its fast, aggressive and groovy rhythms that will have you headbanging unintentionally, I think it fits well the album's name, as it meets people expectations -and may even surpass them dare I say. "Death Dealer" starts with a slow pace but don't be fooled; there's no room for softness in a TAIM record. "Man Is The Enemy" follows and it really feels like a song that would best fit in 2012's album, "Hate". Classic Thy Art
Before I knew it, the album was over; oh boy, these 38 minutes felt amazing. With "Dear Desolation", I gained new hope that deathcore is still in the right direction and I am happy that many of these songs are legit concert material. However, I believe the first half of the album was by far more satisfactory in terms of compositions and arrangements than the rest of the album, and overall more interesting, whereas the second half, especially "Man Is The Enemy", "Fire In The Sky" and "Into The Chaos We Climb" felt for the most part as if the band followed a similar writing pattern.
8/10
8/10
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